Ahn
搜索"Ahn" ，找到 56部影视作品
导演：
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萨拉·弗里德兰
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八旬老人露丝（凯瑟琳·查尔方特饰）一直独居，但衰老的征兆已悄然显现：烤面包片被遗忘在沥水架上、面容时常陷入茫然、以现在时谈论逝者却对眼前的至亲（比如近在咫尺的儿子）浑然不识。她入住辅助生活机构，由此开启了一段奇异而超然的旅程——这正是萨拉·弗里德兰的长片处女作《熟悉的触碰》的核心叙事。该片在2024年威尼斯电影节地平线单元斩获三项大奖，包括"未来之狮"最佳处女作奖、最佳导演奖，以及查尔方特凭借惊人演技获得的最佳女演员奖。弗里德兰以犀利的真实感构筑戏剧张力，尽管题材沉重，影片却展现出罕见的叙事弹性：温柔、谦卑甚至荒诞的灵光时刻不时闪现，角色与创作者对露丝倾注的同理心贯穿始终。《熟悉的触碰》预示着一颗导演新星的诞生。该片由Music Box Films公司发行。
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Anthony Rich,Victor Gonzalez,Jody Margolin Hahn,Kelly Park,马克·森卓斯基,里奇·基恩,贝丝·麦卡锡-米勒,翁菲菲
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在《生活大爆炸 The Big Bang Theory》中饰演伴侣Sheldon/Amy的Jim Parsons及Mayim Bialik联手为FOX开发多镜头喜剧《叫我凯特 Call Me Kat》（前名《Carla》），这部剧改编自英剧《米兰达 Miranda》。 《叫我凯特》已经被直接预订并定于2020年秋档首播，Darlene Hunt负责剧本的美版主角Kat（Mayim Bialik饰演）是个39岁的女子，每一天她都得应付社会及咄咄逼人的老妈Sheila，不过Kat仍然保持着快乐的心，为此她把父母留给女儿婚礼的资金用来开了间咖啡店「Cat Café」。
导演：
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Jody Margolin Hahn
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It’s official: The Conners will be getting a proper goodbye. The Roseanne follow-up has been renewed for seventh and final season. As Deadline reported exclusively last week, the order is believed to be for six episodes, with the main cast, including John Goodman, Laurie Metcalf, Sara Gilbert and Lecy Goranson, expected to return. The renewal took longer to finalize because dates for the cast, particularly Goodman, had to be worked out, I hear.
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Jody Margolin Hahn
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Netflix的拉丁裔多镜头喜剧《阿什丽·加西亚的扩阔宇宙 The Expanding Universe of Ashley Garcia》由Mario Lopez及Seth Kurland所创作，剧中讲述15岁半的Ashley Garcia（Paulina Chavez饰）是个机器人工程师兼火箭科学家，她现在得到机会在大空总署中工作，于是Ashley搬家来到与喜爱玩乐的叔叔Victor（Jencarlos Canela饰）同住；Victor是个前职业美式足球员，现在则是高中教练，过去从来没有应付过甚么大责任。
导演：
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Mark Schwahn
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新季中观众将会看到幸福快乐的Brook Davis，见证一个年轻、美丽、成功的时尚设计师的婚礼。Nathan Scott正在为其第二个NBA赛季做准备，而Scott家庭正在等待他们第二个还在的降生，Haley预感这次会是个女孩。她将如何在怀孕与抚养Jamie和追寻音乐事业之间找到平衡？此外，Quinn以及Clay两人安危未定，这又将会对他们的朋友和家庭造成何种影响？第八季的《篮球兄弟》将会探索当代20多岁的年轻人在创造和定义生活，克服困难和迎接他们习以为常的美好事物时，是如何在其中找寻到平衡点。
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内详
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《废柴联盟》男主Joel McHale将领衔FOX这部半小时工作地点单镜头喜剧。
本剧由《穆迪一家》主创Bob Fisher与Rob Greenberg，《全民追女王》编剧Dan Sterling共同打造。
顾名思义，本剧将围绕着一群负责动物管制官的日常工作和生活展开，所有人都在复杂的工作中认清了一个事实：动物是简单的，而人不是。
Joel将在剧中饰演“Frank”，一个固执、古怪的动物管制官，他或许没有上过大学，但仍然是房间里最博学的人。作为一名曾经的警员，Frank当时试图揭露自己部门的腐败事件缺最终导致他被解雇。这或许可以解释为什么他如此愤世嫉俗和脾气暴躁。在理解动物的方面，Frank展示了过人的能力；但面对同类…他或许不是那么精通。
《疯狂前女友》“Heather”Vella Lovell饰演“Emily”，一个招人喜欢、但偶尔也会有点迟钝尴尬的动物管制团队队长。尽管Emily偶尔在工作中不知所措，但她被自己的队员们深爱着。
《喜当爷》“Ravi”Ravi Patel饰演“Amit Patel”，也同样是团队中的一员；Amit是个不堪重负的居家型男人，承担的家庭责任超出了他的预期。他的搭档与他的生活方式截然不同，彼此可能来自不同的星球。
导演：
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Mark Schwahn
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蕾娜（康妮·布里登 Connie Britton 饰）是曾经红极一时的乡村音乐天后，随着年岁的增加，尽管蕾娜的热度不减，但蕾娜清晰的感受到，自己已然渐渐走出了观众们的实现，无可那和沦落到过气的边缘。 公司正在大力推广一位名为朱丽叶特（海顿·潘妮蒂尔 Hayden Panettiere 饰）的美少女歌手，让蕾娜无法忍受的是，她竟然被安排成为了陪衬她的“绿叶”。更糟糕的是，蕾娜发现自己的父亲正打算扶持她的丈夫泰迪（艾瑞克·克罗斯 Eric Close 饰）参加市长的竞选，这也就以为着，自己的所有隐私和秘密届时都要拿出来供大众评判。无论泰迪未来当选与否，蕾娜此刻都毫无疑问的站在人生的风口浪尖之上。
导演：
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Gary Jones
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After the death of his brother, Mick travels to America to seek Justice. Wrongly convicted of extortion and attempted murder, Mick is sent to Pleasant Hill Penitentiary's notorious death block 13. Seething with revenge after discovering the truth qigou.cc behind his brother's death, Mick's rage ignites an explosive riot as he makes a daring escape from death block 13.
导演：
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Edward L. Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
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马歇尔·布瑞克曼
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先进概念研究所的一堆科学家们设计了一个愚蠢的恶作剧。他们把一个人洗脑，并告诉他，他是个出生时就被遗弃的外星人。他越狱后试图改变美国文化废除所有电视信号改用高能量电视发射机，此举使其成为一个全国名人。
